Da Vinci’s Saint Jerome
My wife and I are museum rats. We spend a lot of time in museums when we travel and a lot when we stay at home – home being the New York City metro area. New York City itself is home to about seventy art museums (plus many others devoted to science and industry), and the greatest of these is the venerable MET: the Metropolitan Museum of Art on Fifth Avenue between 80thand 84thStreets.
The MET is one of the largest museums on earth and the third most-visited (after the Louvre in Paris and Beijing’s National Museum of China) – 6,953,927 visitors last year to be exact, of which those 27 must be the Miners. Our MET membership pays wonderful dividends.
“Museum” comes from the Greek, mouseion – the seat of the Muses – and nearly every museum I’ve ever visited has been an inspiration. A great museum is a close cousin of a great cathedral, with similar echoing footfalls and hushed voices. Your eyes are pulled to every compass point, and there are occasions of awe.
The MET collection includes 2,000,000 works of art, so it would take you something like a century to see everything, although, even then, you’d probably be rushing too much through each daily visit.
From the standpoint of The Catholic Thing, the MET offers a treasure of 406,000 hi-res digital images of works in its collections – 1,700 from its holdings of European paintings – not a few of which have illustrated our columns over the last decade.