Ego Patricius: a Review of “I Am Patrick”
Written by Brad Miner
Monday, March 16, 2020
Is there a saint more Catholic than St. Patrick? Yet, as you probably know, the great Apostle of Ireland (and one of that nation’s patrons) wasn’t Irish at all but a Roman Briton, son of a decurion, the mayor/tax collector of the town (possibly in Cumbria) where Patrick lived as a boy. His father was also a Catholic deacon.
But history – not least the parading passion of Irish immigrants and their ancestors in the United States – has arguably made him, after Paul and the Gospel writers, among the most popular saints of all and for all: many Catholics but also some Protestants, Jews, and – for all I know – Muslims and atheists will put on something green tomorrow and try speaking with an Irish accent.
I won’t because I’ve always found St. Paddy’s just about the worst day of the year in New York City – a too-often tasteless, drunken embarrassment. But that’s a subject for another column, one I hope never to write.
But, as Fr. George W. Rutler did write a few years ago, were Patrick to see New York’s parade:
[He] would bond more instinctively with the beheaded and crucified martyrs in the Middle East and Nigeria (whose official patron is Patrick) now spilling their blood for Christ, than with some revelers on Fifth Avenue who pantomime his name while spilling beer. There is a difference between martyrs and leprechauns.
Meanwhile, there’s a new movie coming called I Am Patrick, which is notable for being good drama and fascinating history . . .